Showing posts with label the friday saree. Show all posts
Showing posts with label the friday saree. Show all posts

Friday, August 5, 2022

throwing on some deep think: the friday saree

 

 

something is slipping away, and it's not just the pleats of the saree between my fingers. i realise as i go through things in life, it's not about how fat you are or how thin (oh, i've worried about that a lot), or how much or little money you have (no, really), how big or small your house is, what grades you or your kids got in school, what people said or didn't say about you, whether you travelled the world or not. no, none of these and a zillion other things we allow much space in our thoughts... no, none. it's really about the people in your life. those you love, to be precise.

it's all there. in just that.

i've watched many of these people go. and with each one, something has slipped away, never to be caught back and made part of my life as i live. with them maybe some of me has gone too. 


why such mutterings on a post about a saree i wore last friday for shabbat? i guess i felt the yards of silk slipping around me, and along came these thoughts.

some of me has gone no doubt, but there's more coming along.

a me i have no knowledge of, nor have met before.

the languid layers of phyllo pastry lying supine amid liberal brushings of oil wink at me. "who'd have thought you'd want to make baklava one day!" they seem to say with an amused air.

almonds, walnuts, pistachios get crushed and entangled with surprise.

cardamom, cinnamon, lemon, honey, and sugar simmer and saunter into my memory bank. 

the sharp edge of the knife plunges into the pastry and cuts diamonds that will be forever.


 
 

as i make the baklava i think, i guess there have to be cuts and deep wounds for sweetness to pour all the way in. i am making our first ever baklava with one of those wondrous people whom it's really about. she slipped into my life when i least expected it. she gives me the courage to try untried worlds, to find what else is out there, and take the next step forward even though i may trip on my pleats.

 

i'd never have bought a green and yellow checked saree with shocking pink and purple borders. but this gadwal was fated to be mine. came to me through a mistake... am i grateful for mistakes. you can read that story here.

  

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sarees tell stories | gadwal silk from abhihaara social enterprise, hyderabad, bought 2020. you can find them on instagram @abhihaara

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Friday, May 13, 2022

a kanjeevaram mood: the friday saree

 

 


 

a saree from a memorable trip to a city that never disappoints, where there’s always something lovely and laid back to forget this rough hard world in, where i’ve been happy, where i started writing… my first job as a copywriter. where i keep wanting to return. bangalore…

where you get some of the best kanjeevarams. 

this one is from an old old shop called rukmini hall in an old wholesale market called chikpet (small market). went with a friend whose mother’s wedding sarees wore bought here. 

what a find this shop… when am i going back again?

sime days it just has to be a kanjeevaram.

 



 

 

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the friday saree index

 


Saturday, March 12, 2022

that thing about classics: the friday saree

 

it's a heavy silk, its weight lets it fall with a ballerina's grace. it flows and extends and pirouettes around you. i wore the black and white patola last evening admiring everything about it again. the fabric, the tie and dye, the restraint, the soft smooth feel against my skin and in my hand as i held it. bought in bangalore, years ago, a dear friend and my husband had chosen it. i had just started getting mad about sarees. my friend wasn't well then, but she had still taken my husband to the shop, bandhej, and helped him select a saree for me. i thought of my friend again. i had met her at the ad agency where i first met the mac. where i started thinking of steve jobs. i thought about my husband, who's away on work at the moment. he is not exactly the saree buying kind of man, but he'd gone anyway, and chosen a black and white. predictable but always fabulous. classic. like my friend, my husband, and of course mr jobs. so i wore the saree i was planning to, hope the look was just so.

previous post: a saree for mr jobs


 
 

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the friday saree index

 
 
photo credit ferolyn fernandez

Friday, March 11, 2022

a saree for mr jobs

 

the mind is a messy place. nothing comes to it in a simple clear way. thoughts rush or meander or just walk by aimlessly, sometimes they crash, they burn, then again thoughts and more thoughts.

i am sitting here this morning, staring at my computer screen, letting this ride of thoughts go on. not that i can stop it. i am perhaps lonely, a little disturbed. something from last evening lingers. a tremor in the brain, in the heart. i want my mind to focus, think of something that is of use, that has a direction.

should i write about sarees? always engages my mind. i am staring at the computer screen. an imac.

was it 1991 or 1992 that i saw a computer that said hi to me? bangalore, my first job as a copywriter. a big bulky computer on my desk. first time such a machine anywhere near me. press f1, press f2... green type on black screen. a little stodgy. wordpress? think it was called that, the software.

every once in a way, a call to the mac room. an airconditioned cubicle with glass all around, where the macs sat and only those who were allowed to touch them were allowed entry. not lowly new copywriters. not usually.

only when some copy corrections had to be made and the superior beings who were in communion with the mysterious machines needed that pointless thing called copy changed, and they wouldn't deign to do such menial tasks, were writers given access. of course, you had to take your shoes off before entering this hallowed precinct. it's a miracle we weren't barred from exhaling.

i walked in, i remember, and the boss of the mac room with his usual surly expression, nodded towards a tiny computer in the corner, next to one of the splendid large ones with magical colours on the screen. it was a small but tall machine, not the usual rectangular shape, horizontal longer than vertical. was the other way round. i was told to switch it on, i dutifully must have.

the screen came on... grey. then a little computer appeared on it. a line drawing. a word popped up. hi.

a computer had just greeted me. not a computer. no. a mac.

why do i remember this so well? did i break into a smile? that first meeting with the mac? it was a a mac se i think, just read se means "system expansion". or was it a compact macintosh classic? whatever it was, that computer spoke to me and smiled. no press f1, press f2, and blinking green cursor.

mr jobs was not even at apple at the time. forced out and in exile practically. but his thoughts, how do you banish those? once they're out, they're out, and influencing someone, somewhere... certainly the mac design engineers.

later he'd return to apple, play his own games, and save the company, take it to unbelievable financial heights... trillion would enter the corporate jargon and ambition. but by then i'd read insanely great, a gift from my husband, because ever since that hi from a computer i'd been muttering about this man called steve jobs. 

and i don't really care about corporate men. the only other one i'd found interesting was akio morita, because sony was the first tv i'd seen, and my father had bought a sony record player back in 1974 with much joy, also given my brothers and me a sony cassette player each for he was convinced if we taped our lessons and heard them as we read, we'd absorb information better, it would make for more thorough studying. then there was the walkman. so when mr morita's made in japan came out during those initial days of books by not authors but company executives, i did read it, and enjoyed it a lot. but i didn't go on about him. about steve jobs i did. so jacob got me that book.

i don't remember exact words or moments, but while reading insanely great i felt a thrill that stayed on. someone who thinks of what's to come. and doesn't let anything get in the way of it. certainly not the usual tings that businesses apply to gauge a situation, read a market, plan the next.

a man with an instinct and a cocky crazy faith in himself. hard to restrain, hard to perhaps even like.

in later browsings, i read somewhere, he dated two women at once and would ask his friends whom should he go with, the looker or the other one. think he went with the latter and was happy too. there was of course lisa, the computer named after the daughter with whom he hardly had a relationship till much later. there was the experimenting with drugs, even the not at all enamoured of india side, and i am touchy about that. yes, a flawed man... as perhaps we all are.

but that other side of him. those thoughts of his. that looked straight at what is to come. not burdened by memory or tradition, almost crystal gazing. i can't stop my heartbeats from picking up pace when i think of this.

and where he took it. and how.

we moved to singapore in november 1997, and i started working with an ad agency soon after that. in 1999, i left my job and went to jordan for a six month assignment. on my return, i joined the singapore agency again. when i walked into my office, there was this computer sitting on my desk, which looked nothing like a computer. it was a cross between a lozenge and a spaceship. colourful, translucent, snazzy, futuristic, asking me to bite into it and zoom off into outer space with spock and scotty. it was the first imac, mine was in teal green, a hand me down from my boss. this was steve jobs's first computer after his return to apple.

2001 onwards came one after another things that would change our lives, literally forever. not just computers, every time a new idea. itunes, ipod, iphone... he was reshaping apple for the next century, he seemed to know where he would take it – not just the company, the future. 

no one might have gone there before. first officer spock may not be at hand, but a man who was difficult to work with, who wasn't even an engineer, who didn't create technology, who was accused of stealing (how many times i've heard the gui or icon was not his idea, he saw it at xerox, he filched it... ok, but who, who, who saw its use, its possibilities, its place in our lives, i feel like screaming), who was accused of making too expensive everything, who made things look unnecessarily good, who had dropped out of college, who was gimmicky, whose desk was really messy (perhaps his thoughts even?)... and who was no one's ideal candidate for messiah or changer of our world, he went ahead and did it anyway.

i think of his last invention, the iphone. look what it's made possible.

from looking up recipes, to playing games, to keeping an eye on the child at home, to searching up information, to paying bills, banking, chatting, showing off, dating, doodling, brooding, calling cabs, checking time, reading the market, farmers get links to markets on their phones, politicians persuade voters through social media, migrant labourers speak to their family as and when they please, children away from home – in the same city or on another continent – keep in touch all the time (when my father went to toronto to study back in 1952, think he made two or three phone calls home in those three years; when i came to singapore in 1997, i paid hundreds of dollars on phone calls every month, now my daughter is in london, and we chat when we like for free, just the time difference in the way of things), tv correspondents cover news on specially engineered phone, photographs fly across cyber space on instagram... isn't the phone in every interface, in every act of ours?

the smartphone crosses barriers we've never dreamed of crossing before.

without that iphone, would there be this now so familiar word, app? and all that apps do and we do with them? akio morita made music mobile. steve jobs perhaps knew the power of that mobility. he took a phone and made it something scotty would be in charge of in spaceship enterprise. oh, you can also make phone calls with it.

things he conceived of were not just for the "higher" or niche needs, nor just for the rich and the famous. they were for everyone, each one of us. many may not be able to afford an iphone, but once the idea was realised, manufacturers with cheaper options were bound to come along. and of course they did. 

he made this esoteric and dare i say unpretty looking realm of information and its technology into an easy cool thing, meant for everyone, within reach, refreshing, like coca-cola. actually , much more... part of us.

one man's way of thinking, and an entire species's today and tomorrow are different. changed the course of things i keep thinking. in ways not yet fully known or understood.

just five years older than me. died at 55, having done what he did. i miss him. sometimes with a great long sigh.

wonder what he would have done next. i keep the iphone 5, the last phone he launched with that black turtleneck and blue jeans look, because it was his last. three years after i bought it, the battery started giving trouble, i took it to the shop. sorry, they said, this model had a problem, so we are replacing the batteries for free. yesterday, i noticed again the battery was working just fine.

my thoughts are all over the place, reflected in the writing.

think of it as notes.

sometimes there's more honesty at this level of writing.

but why a saree for mr jobs? maybe because i missed him just now and since i am wearing a saree this evening, my friday saree, why not for him? also, the other day i read, the jacqard loom invented in 1801 by joseph jacqard, is the first machine to use punch cards to instruct a machine to do certain tasks. this knowhow would later be used in the development of computers. i love handloom and resist overuse of jacquard looms, but they have brought a lot of ease and economy to fabric, even saree, weaving.

so, which saree? i am reminded of his think different campaign. the commercial with black and white pictures of remarkable men and women who changed our world. he insisted on the black and white, think he had many of their shots in his room. 

i have this patola in b/w. it must be the one.

here's to you, mr jobs...


………………………………………………………………………………………………………………………………………………….. sarees tell stories | black and white classic ikat saree from bandhej, bangalore, bought around 2008.

 

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Saturday, March 5, 2022

looking at a saree on a tired evening: the friday saree

 

 

 

it's been one of those weeks, when by the time it's friday evening, i am almost passing out with mental hyper acrobatics, mind in a stupor practically. but something stops it from shutting down.

got to choose a saree. it's friday evening.

i dragged myself to the cupboard and opened the door with weary hands. my tired gaze wandered over the stacks of fabric, nothing registered, all was a mass of colours.

when i felt my hand reach out even before my eyes saw the saree. how does that happen? i don't know. but it does. it did. maybe it was the colour. 

oh, what a red.

i felt my drooping shoulders lift. yes, that saree...or... maybe?.. 

what blouse, i heard my mind murmur to me.

a fine silk from sonepur in odisha, with the simple ek phulia motif and delicate ikkat or bandha on the pallu. bought it two years ago for my sixtieth birthday because my father was born in odisha, in sambalpur. the other birthday saree came from benaras, where my mother was born, it's what i'm wearing on the banner of this blog... will take nice shots and write about my sixtieth birthday sarees some day. i looked at the saree again.

i tried to resist, since i was not in a compliant mood. but the red would have none of it.

 

 

sonepur ikkat of odisha from a lovely shareer dokan (ok ok saree shop) called vani vrtti.

 

 

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photos credit ferolyn fernandez

Tuesday, February 22, 2022

i feel silly smiling at the phone: the friday saree

 

 

this is the truth, the whole truth, and nothing but...  i don't like being photographed. i am awkward in front of a camera, don't know what to do with my hands, worry i'll look like a gargoyle, feel under pressure, and most inconfident. and it's really silly to smile at the phone.

yet, every friday, after i wear the saree, i go and do just that. how much i've smiled at this rectangular object with no feelings. and poor ibi, the indefatigable cook, who with an impassive face bears all my frazzled posing, takes a hundred shots so i can choose two or three, never complains. in fact, every now and then chirpily says, "smile." 

why do i do it? how can i not, when i've worn a saree? here are a few friday sarees from the last couple of months.

 

think this is the first narayanpet i've bought for myself. the silk is light and falls gently, a whisper against the skin. abhihaara in hyderabad is a society of weavers, always feels good to get a saree from there. 

5 november, 2021.

 

a saree from odisha, bought years ago, not black, a deep bottle green. is this a sambalpuri silk? might be. 

12 november, 2021.

 

i'd never heard of kunbi sarees till a friend from goa mentioned them. i searched the internet looking for them, found a facebook page, they had a whatsapp number, we chatted, and i had my first kunbis. slightly thick cotton sarees, with their trademark simplicity, so basic and honest, you've got to respect them. they fit in with a community's way of life. tough sarees, not at all afraid the heat and dust. 

19 november, 2021. 


a favourite odisha saree from a lovely young textile designer's shop... vani vrtti. she calls this ananta, a take on flowing water, the pallu has signs of water life. the tussar yarn is rich and soft, hand spun by the women of the area. 

26 november, 2019.

 

a gossamer light cotton chanderi from, of course, chanderi. such a stroke of luck finding ayaz bhai, who'll show you chanderis on a video call, pulling out sarees from almirahs in one room of their house. nearby, his sister in law, bhabi, might be weaving a fine simmering saree. 

10 december, 2021.
 


a patola from rajkot. for some reason, i thought it was an odisha bandha, i was wrong. the colour is sleek and the saree falls like a deep sigh. 

17 december, 2021.


a saree from at least thirty years ago, tangerine and peach, thick rich cotton, a nuapatna ikkat from odisha, has a cool demeanour. 

24 december, 2021.


a jet black soft silk with wonderful kaƱtha embroidery in browns and creams, i flipped the pallu and wore it somewhat gujarati style, maybe a little parsi too. last evening of the year, mark it. 

31 december, 2021.


first shabbat of the year, i wore this leisurely cotton from odisha, ikkat, not sure from which area exactly, but it's a subtle play of shades, someone said it matched the table cloth, i said, good. obviously in a brown mood me. 

7 january, 2022.


a mekhela sador in cotton, from assam, not a saree really, yet anything with the elements of pallu and pleats, feels like one. that flyaway tucked end of the sador adds such a playful note. sassy, even. 

14 january, 2022.


when i heard, the tata group, known for its steel plants, cars, software engineering, watches, hotels, etc., were starting a saree shop, i was taken aback. i almost laughed, the idea was so funny. but i'm glad they did. some very interesting sarees at taneira. this one i saw on their instagram account and fell for the story. tussar sarees embroidered by a group of rabadi women in bhuj who had seen the terrible earthquake, the embroidery expresses their emotions of that experience... simple motifs of homes, waves, children, the sun... survivors drawing strength from their craft. consummate needle work, bright colours, you'd never guess they were speaking of trauma. 

21 january, 2022.




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the friday saree index

 

 

photos credit ferolyn fernandez

Monday, February 14, 2022

banarasis are good for you : the friday saree

 


years ago, i fell for the guinness tagline that went, guinness is good for you. i suspect i drink guinness more on account of that line than the taste of the heavy dark stout itself.

guinness is good for you was written in the 1920s when Guinness started advertising for the first time. i'd heard once, in the '70s or '80s an enormous amount of money, effort, and time were spent to change that line, come up with something new. . creatives thought and thought, then went away to far off isles to think some more, free float, brainstorm, crack the big idea. and after all that, they came back with... well, guinness is good for you. and so, the line remained.

i can't substantiate that story, but i just found out that james joyce had suggested changing the line with a slogan of his own, "guinness – the free, the flow, the frothy freshener." but thankfully, that was not accepted. it remained, guinness is good for you.

the best ideas are like that. simple, almost minus any adornment,  undeniable.

which reminds me of a conversation i had the other day about these beautiul sarees called banarasis; benaroshi, if you're bengali.

banarasis are handloom sarees from the ancient city of varanasi or benares, with their trademark and fabulous zaree work. they are usually in silk, but you do have fine cotton banarasis too.

beautiful as they are, they have posed a persisting problem for their owners and wearers.

which is, where do you wear a banarasi?

the sarees are inextricably linked to weddings and celebrations. the ;et's overdress moments in our world. the endless occasions that weddings present, special anniversaries, ceremonies for mothers to be, your offspring's rice ceremony or whatever is the special ritual for children in a community. banarasis also find a place in religious festivals like diwali, durga pujo, eid. but mainly, it's weddings.

if you want to wear a banarasi, there has to be an occasion. you just can't wear a banarasi otherwise, seems to be the inherited wisdom of saree wearers everywhere.

you dress up in your lovely blue banarasi with big angoor or grape motifs to a cousin's mehendi. your own wedding banarasi you have worn only once after your marriage, to your brother's wedding. at your friend's sangeet, your sweet but careless aunty dropped food on your pale pink banarasi with silver zaree that your mother had worn for her gode bharai ceremony before you were born.

"i have so many beautiful banarasis, but no occasion to wear them," how many times have i heard that? or, "i know the mauve tissue banarasi is gorgeous, but no, i'll buy this kanjeevaram without zaree, more wearable." or even, "oh, banarasis are too much, too jhatak matak, who wears zaree these days," i feel a bit shaken by that.

when i started buying sarees again, banarasis began to demand and get my attention pretty quickly. my mother was born in benaras or kashi, was that some sort of subliminal tug? i've actually always been dazzled by banarasis. my mother had many of them, from her wedding brocade to these really cool ones in solid glimmering shades – emerald, crimson, ivory – with narrow finely worked borders in contrasting shades. i've worn most of them, always for an occasion of course.

but how do you get the banarasi out of the occasion into the everyday world?

 

that was the question a girl who loved sarees, – whom i'd just met – and i were pondering a couple of sundays ago. she said, she felt one should simply stop needing a big occasion to wear them.

instead, just wear them whenever one felt like it. as you would wear all other nice sarees.

to visit people, for small dinners, when you had people over. treat the banarasi like any other beautiful saree. and wear it. not keep your banarasis in muslin and mothballs forever, waiting longingly for that one mega wedding or whatever, when you can at last let them come out and breathe.

i laughed.

and i heard something in me say, why not?

we'd invited them for shabbat dinner next week. she said, she'd wear one of her banarasis. and she instructed me, practically, to wear the red brocade banarasi i'd mentioned, a replica of my mother's wedding saree.

it felt like a pact. a solemn giving of word to each other which would lead to greater things some day. it definitely felt heady, like a large swig of dark smooth guinness.

after much thought, i chose a blue green shot jongla or jangla (from jungle) banarasi.

when she walked in, we both stopped in our tracks and started smiling, quite incredulous. her husband exclaimed, "you're wearing identical sarees!"

wasn't exactly the same, but hers had an all over jaal or pattern too, with similar motifs, and the colours were close. it was a classic banarasi from her wedding trousseau. mine had been acquired more recently, for our anniversary a couple of years ago.

she had also worn her saree differently, twisting and pleating the yards of silk deftly, as as she pleased. the sheen of a tightly drawn black belt over the pallu and around the waist firmly brought the traditional jangla to the here and this moment.

 

we spent a happy friday evening together, not being self conscious at all about all the gold and silk. it felt just right. even the men, dressed casually, seemed to like that little high in the air. a refreshing note to a quiet dinner.

i wished i were tall and slender so i could throw my saree about in that carefree swirl. we posed and took shots. banarasis stepped out of weddings and breathed more freely.

a big idea i felt, had been cracked. just wear your banarasi.

i've never read joyce, but a moment ago considered swiping his "the free, the flow, the frothy freshener" tagline.

but no.

i'll go with...

banarasis are good for you.




bought the jangla from tilfi in december, 2020. it was an anniversary gift from my husband. this picture was taken on our anniversary, the first time i wore the saree. thoroughly enjoyed donning a jangla, lifted the covid gloom. we went to a bar afterwards. no big celebration naturally, this is the wild spread of coronavirus time. the photograph is taken by ferolyn, she's our cook and my main consultant on sarees. she's caught the blue green colour play in this one, so am posting here.






 


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photos credit ferolyn fernandez

Wednesday, February 9, 2022

it was black this friday : the friday saree

 

how many sarees do you have? what, you're buying more sarees? where will you where them? you've got to stop buying sarees you know...

has anyone told you such things? familiar, these words? 

well, i don't blame well meaning friends and harried husband speaking their minds.

but really.

i don't have to wear sarees to love them. or... do i?

how it happened i can't exactly trace but somewhere along the way, the saree got so left out from the idea of dressing up. 

i've never not liked or loved sarees, though it never became my daily dress as it was for my mother and grandmothers. yet for occasions, for special anything, i'd wear a saree. in fact, i'd wear a saree to work when i was twenty one, battling crowded buses, pothole filled roads, the heat and dust and grime of calcutta.

and yet, i lost touch with sarees. the need to wear them waned.

about twenty years ago, it all came surging back, happily.

but where would i wear sarees, here in singapore? okay, sometimes to work maybe. and then? wait for occasions? would the twenty new sarees in my cupboard be able to hold their drama till then?

then it struck me.

i have an occasion every week. in my own home.

shabbat.

my husband and daughter are jewish. along with my brother in law, we observe shabbat every friday evening at home. we all get together and have shabbat dinner. good food is made, alcohol imbibed, we chat and relax, bread is broken, wine blessed, prayers and song fill the evening, plates are filled and emptied, the evening flows by.

shabbat, which means seven in hebrew, is a day to be set aside from the rest of the week. it is a sacred day, the day when after creating everything, god rested. wonderful, i thought, as i pondered this. my way of marking this day... i'll wear a saree every friday.

it's perhaps one of the best thoughts i've ever had. i am grinning as i write that.


this friday, february 4, 2022, i wore a fabulously embroidered black silk from bishnupur in west bengal. it's designed by the tremendously talented sharbari dutta. sadly, she passed away suddenly a couple of years ago. she had made this saree for me, as she knows my uncle and aunt and also about my love of sarees. usually, she designed men's clothes only, for she felt not enough had been done in that area in the context of indian fashion.

every motif on that saree is drawn by her. the chain stitch is fine and detailed. the colours are balanced and surprising... that sudden violet. there's a playful note in the execution. 

a saree i've worn many times and it has never failed to delight.


 

the last time i wore this saree, 

it was new year in the jewish calendar.

 


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my photos credit ferolyn fernandez

iron nails and camel dung